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, (August 15, 1928 – October 1, 2010), was a Japanese dancer and choreographer. 〔(【引用サイトリンク】website=dancemagazine )〕Born in Osaka, Japan, she found her way in the international art world through her Japanese classical dance theater forms and experimental performance art forms. For over fifty years she actively performed, taught and choreographed in classic Japanese dance forms and contemporary collaborative multimedia performance works. She appeared in Japan, the United States and Europe as a choreographer. She collaborated on many of famed director and designer Robert Wilson’s most revered works created during the years 1984 through 1999. ==Background and Career== Suzushi Hanayagi was born Mitsuko Kiuchi, in Osaka, Japan, in 1928. At the age of three she started her dance training with her aunt, Suzukinu Hanayagi, learning the Hanayagi style, a traditional Kabuki school of dance founded in Japan’s nineteenth century Edo Period. At the age of twenty she became a natori, receiving her Hanayagi name, after mastering 100 dances. She subsequently began studying with Takehara Han, a master dancer based in Tokyo who developed her singular classic salon style related to mai styles started in Osaka and Kyoto during the Edo Period, and incorporating techniques related to Noh theater. Interested in these more abstract and poetic styles, Ms. Hanayagi later added studies with Yachiyo Inoue, headmaster of the Inoue school, a Kyoto based dance style utilized by geishas, with whom she continued to study until 2000, when she ceased actively performing. Ms. Hanayagi began studying modern dance techniques in Tokyo in the early 1950s, and presented her first modern choreography concert there in 1957, with music by John Cage and contemporary Japanese and European composers. After seeing exhibitions of works by such artists as Jackson Pollock and Willem de Kooning and hearing that artists like Robert Rauschenberg were dancing, she became interested in experiencing the new arts scene happening in New York City. At the beginning of the 1960s, Ms. Hanayagi arrived in the United States as a cultural exchange visitor under programs sponsored by the Martha Graham School and Japan Society. Also during the 1960s, she participated in the performance experiments happening at Anna Halprin’s workshops in the San Francisco Bay Area and in New York City with Fluxus and at the Judson Dance Theater. There, she began to collaborate with Carla Blank. Over seventeen years they created fourteen dance theater works, which they performed in New York City through 1966, and then in Japan and the San Francisco Bay Area. She remained a New York resident for most of the 1960s, where in 1962 she met and married visual artist Isamu Kawai, returning to Osaka in 1967 to be near her family for the birth of their son, Asenda Kiuchi. She re-established Osaka as her main residence again in 1969, to have her family’s help raising him after their separation and divorce. Almost yearly, following her return to Japan, she presented classical dance performances in Osaka and Tokyo, frequently at Tokyo’s National Theatre. These were either solo concerts or with her sister Suzusetsu Hanayagi and niece Suzusetsumi Hanayagi, as were her classic dance tours in the United States and Europe. In addition, nearly every year from the early 1980s through 1999, she continued to present solo performances of her original work, mainly at the now closed Jean Jean Theatre in Tokyo. These works also often involved collaborations with other artists, including videographer Katsuhiro Yamaguchi, writers Heiner Muller and Ishmael Reed, composers Netty Simons, David Byrne, Takehisa Kosugi, and Hans Peter Kuhn, and visual artists Hirata and Yasuo Ihara. From 1984 and continuing throughout the 1990s, Ms. Hanayagi served as the choreographer for over fifteen seminal productions and projects by stage director and designer Robert Wilson. Their collaborations were mostly large-scale theater and opera productions presented internationally, beginning with ''the Knee Plays'', premiered at the Walker Art Center in Minneapolis as part of Wilson’s multi-sectioned work, ''The Civil Wars: A Tree Is Best Measured When It Is Down''. Among other artistic collaborations that occurred throughout her career, Ms. Hanayagi appeared with performance artists Yoko Ono and Ayo, and in works directed by filmmaker Molly Davies, choreographer/filmmaker Elaine Summers and director Julie Taymor, besides serving as coach and choreographer for classic dance performances by the popular Japanese actress Shiho Fujimura. In 2008, when her artist friends learned Suzushi Hanayagi was ill with Alzheimer's disease and residing in a special care facility in Osaka, Japan, they gathered together to create a multidisciplinary live performance portrait, ''KOOL-Dancing In My Mind'', a poetic monument fueled by their wish to help guarantee her legacy as a great dancer and choreographer. Incorporating 6 live dancers in reconstructions of her choreographic collaborations from works with Blank and Wilson, besides archival photographs, videos of her in performance, excerpts from various published interviews and unpublished letters to Blank, and recent images of her head, hands and feet by Richard Rutkowski, it was first shown at New York City’s Guggenheim Museum in their 2009 Works & Process Series and developed further at Guild Hall in East Hampton, was given its international debut at Berlin's Academy of the Arts in September 2010, and was chosen by Wilson to represent his work at his 2010 Jerome Robbins Award ceremony at New York's Baryshnikov Art Center, December 9, 2010. Also in 2010, the Guggenheim performance became the basis of a 26 minute documentary film ''KOOL, Dancing in my Mind'' directed by Richard Rutkowski and Wilson, premiered on ARTE TV in France and Sundance Channel in the U.S. Rutkowski's 65 minute film on Ms. Hanayagi, ''The Space in Back of You,'' had its New York premiere at the Film Society of Lincoln Center’s 2012 Dance on Camera event, its California premiere at the San Francisco Int'l Asian American film festival and international premiere at Thessaloniki Doc Film Festival in March, 2012. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Suzushi Hanayagi」の詳細全文を読む スポンサード リンク
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